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  • Taiwan 2009 – Newspapers

    May 3, 2009

    On the second day of arriving in Taiwan, my sister and I had a chance to flip through two local newspapers over breakfast, the English-language Taipei Times and the Chinese-language Liberty Times. The English papers are rather thin, serving an audience that I would guess consists of foreign expatriates and local Taiwanese who are studying the language.

    When I used to live here as a foreign brat, I could never pin down what exactly was missing from the English papers here until now: there’s not much real analysis, and the surface presentation of data is rather thin, which makes home analysis more of an exercise in conjecture. Also missing are the pages of local commentary by knowledgeable community historians/busybodies. What is most striking, however, is the lack of advertising. The China Post, which is another English-language paper, may have more ads as they claim to have a circulation of 400,000, but I have not seen an issue in years. Anyway, check out this spread from the Taipei Times…it is eerie in its cleanliness:

    Taipei Times Inside Page Spread The entire paper is like this, with the exception of a few hotel ads and a handful of classifieds in the back. That’s what makes the paper feel unreal, because there is no sign of local commerce or community talk-back.

    I started to wonder if the regular newspapers in Taiwan were largely supported by a subscription model. Considering that the whole of Taiwan is just a little larger than Massachusetts with a far-greater density of 24 million people concentrated along the western coast, perhaps distribution and demographics create a favorable economic climate for subscription-based media? I’m unqualified to say, but I’ve been noticing just how greater the density of people is here in Taichung compared to the typical US suburb or even medium-sized city, and the scores of tiny shops offering goods and services are apparently able to survive with whatever foot traffic they receive. Density of human traffic is one of those mysterious business factors that I’ve been thinking of a lot recently as I’ve been pondering my own business maneuverings; being in urban Taiwan has reawakened my interest in the subject. But I digress.

    visual comparison

    I can’t read Chinese, but I found it interesting to try to visually compare the Chinese-language Liberty Times to the Taipei Times. Here’s an inside spread of the Liberty Times:

    Liberty Times Inside Page Spread I can’t read any of this so don’t take what I’m saying as authorative, but it’s notable that the Chinese language layout allows for multiple headline directions. Not only can they be read vertically, a headline can also be laid out horizontally. Body copy can be formatted to read left-to-right or right-to-left, which creates the opportunity for really interesting layout possibilities. I’m going to keep an eye open for examples of this in other media.

    The information density of this page is much higher than that of an English-language paper, because each character is a word. The Chinese characters are larger than what a single letter would be in an English-language paper, which reduces the comparative density advantage, so I’d say that the information density is maybe 2x or 3x. I don’t know why that’s interesting to me, but it is.

    Dad had a couple other competing newspapers in the house, and they look a bit different due to the choice of different line lengths and font weights. I snapped these pictures quickly out of what I think are weekday editions of each paper: RSS readers: the small thumbnails won’t be clickable in your feed reader, so you will have to visit the website to see the larger images.

    China TimesChina Times The China Times is another of the major newspapers in Taiwan, and it has a somewhat looser and spacious spread, with increased white space between rows of characters, and seems to favor longer-flowing character lines in their paragraphs. Each page also seems to have a “visually dominant character direction”, either horizontal or vertical. The overall result is a more tranquil feeling to my non-comprehending eyes. Dad says that the China Times is politically right-leaning in the Taiwanese political sense, and is one of the oldest newspapers. Perhaps the design is friendlier with an older constituency with fading vision, or the look is deliberately “traditional”.

    United Daily NewsUnited Daily News The other newspaper, The United Daily News, uses a layout that feels “chunkier” to me. I think this is because there’s less space between character lines, and the lines seem slightly shorter than what’s in the China Times. The character font seems a little heavier too. Dad says that this used to be a military newspaper, and it’s even more right-leaning than the China Times.

    Liberty TimesLiberty Times The Liberty Times, by comparison, seems to allow headlines to run both vertically and horizontally on the same page. The other two papers seem to avoid combining directions on the same page (though not entirely). The Liberty Times also seems to use more font weights, providing an intermediate step of visual contrast that I find appealing. According to Dad, the Liberty Times was the first to use of color in all its pages, and the other papers are playing catch-up. If I had to pick a favorite purely on visual style, I like the layouts in the Liberty Times a little better for the dynamic feeling I get from their pages. I have no idea if it plays havoc with readability; perhaps an Asian graphic designer will let us know. Dad also comments that the Liberty Times is pro-Taiwan independence, a subject close to his heart, and that makes it a left-leaning newspaper. It’s the one he likes to read, though he keeps tabs on other papers.

    cultural differences

    Like papers in the United States, the weekend editions include a lifestyle section or supplement; this is a quick way to see what’s similar yet different. Here’s a couple excerpts out of the Taipei Times:

    Taipei Times Entertainment BlurbOne has to remember that the English language audience is international, and expressions like “a good knees up” slip into the articles. I have no idea what this means, but I gather it’s good.


    Taipei Times Restaurant ReviewThen it’s always good to see restaurant reviews that are open-minded about the specialty cuisine that’s available here. You’d never see a review like this in the United States, but this is a different land. I wonder how the Taiwanese papers review western food?


    Moving on to the Taiwanese newspaper’s classifieds section, Emily found a series of women private investigator ads. She’d also seen these ads on the back of public buses, and we wondered if there was a reason behind these women-run detective agencies.

    Women PI in Classified Ads We asked our cousin June, who practices international law in Taipei, and she said that the women are hired by wives to check up on their philandering husbands. The women PIs are considered to be more observant of small-but-critical details, more insightful, and far more discreet than your typical blundering male.

    The lifestyle sections are also pretty awesome, at least in the Liberty Times. This article appears to be about some kind of fanciful confectionery or cake:

    Yummy Treats I’ve been noticing on this trip just how advanced cake- and confectionery-making have advanced in the past 10 years. Taiwan has a culture of giving lots of small gifts on numerous occasions, and the level of craft and creativity blows away anything I’ve seen in the United States outside of small artisan shops. What’s different about Taiwanese bakeries (which draws upon the Japanese bakery tradition, which itself draws from European influences) is that these are affordable everyday treats. Even the ubiquitous 7-11 convenience stores here are laden with imaginative amalgamations of savory sweetness. The Taiwanese appear to have an insatiable appetite for new and delicious things, and I suppose this could explain part of my personality.

    Kevin's Grooming Tips, I think There was also what looks like a guy’s personal grooming section. Do Taiwanese guys read things like this, or do their girlfriends read it for them?


    Wha?As for single Taiwanese guys with time on their hands, this mysterious spread of girls with URLs seems to offer albums of photos to browse.


    Wha?At first I thought it was a dating profile thing, but I guess these are celebrities of some kind? If you look closely there’s a URL for each profile, and there’s some kind of diagram accompanying each photo.


    Eye EnhancementLastly, we came across a digital camera advertisement which seems to take facial recognition to the next logical step: facial enhancement. We have no idea what this feature is, or if it even IS a feature, but we’re guessing it makes eyes look bigger. Large eyes are an essential component of cuteness, and I’ve heard that cosmetic surgery to reshape the eyes is popular among Asian females. I found this link to a similar camera, the Olympus u9000. The particular camera this ad was referring to is for a new Casio digital camera; the English press release doesn’t seem to mention eye enhancement, so maybe this is left off the European and North American versions of the camera. UPDATE: it’s called Make-Up Mode, and the new cameras also do up to 1000 frame-per-second movies! I might have to get one of these!
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    DSri Seah
  • Taiwan 2009 – Familiar Yet Different

    April 30, 2009

    It’s 4AM and of course I’m wide awake. My sister and I, along with all of our cousins, arrived in at the Taiwan Taoyuan International Airport at around 4:30AM. The 15-hour flight on the EVA Air Boeing 777 wasn’t as bad as I thought it would be, because it’s relatively easy to sleep for most of it. They also had a video-on-demand system built-into each seat. The seats, which I had been dreading because I remember Taiwanese airlines packing us into tiny spaces, were actually quite comfortable for my American-sized ass. With the privatization of a lot of industries in the 23 years since I actually lived in Taiwan, there has been a general uptick in the quality of services.

    Persimmon Man Upon arriving at the Airport I was struck by how different the Visa and Customs process was from how it used to be in the 80s and 90s. I remember it being a tedious affair, with a lot of double-checking of documents and searching of suitcases for taxable goods and forbidden media–Taiwan was under martial law at the time. This time, we walked right through the “No Goods to Declare Line”, and to my surprise we were already out in the reception area. As a sign of how times have changed, there was a statue of a persimmon-headed “Free WiFi” man checking his email instead of an M16-toting Chinese soldier covering the exits. Our group, consisting of nearly all the US-based cousins, immediately converged upon the statue and started to check our various Internet accounts and busting out the digital SLRs. As I learned at my Grandfather’s memorial service 9 years ago, apparently our obsession with gadgets is descended from Grandpa, who had been a leader in adopting new technologies in his Church, such as the use of amplification to extend his voice to large congregations. Grandma’s memorial service will provide more insights on Saturday; an English-language program will be broadcast over an FM-radio transmitter for the benefit of the English-speaking grandchildren by one of our older relatives. We are in good company.

    Train Station - TaipeiTrain - Taichung PlatformTrain Station - Taichung The high speed rail system in Taiwan cuts the trip between 208-mile Taipei-Kaohsiung trip from around 5 hours to about 90 minutes for about $15. The trip would be even longer by car. We took the train to Taichung, which is about halfway between, to be met by our Dad. This was the first time I’ve taken a high-speed train, and it’s impressively smooth. The one downside is that they don’t serve the boxed lunches based on Japanese Bentō boxes, but I mentioned this to Dad when we got home and he got some for dinner. Not quite the same, but still part of what I had missed about the place.

    There are little things that stand out to me. For one thing, the Taiwanese sense of color feels just a little bit off, slightly tainted by unappetizing hues. For example, the EVA Air uniform is this kind of muddy green color that is supremely unattractive. The plastics in the appliances and daily consumables aren’t coordinated in pleasing ways, which was something that I’d noticed as a kid, and still am struck by as an adult. Maybe it has something to do with the awful fluorescent lighting that is in most homes and stores, or people here just don’t notice this kind of thing. Every once in a while I’m struck by an exceptional use of color and material, but in the urban neighborhood I’m in right now it is fairly rare. I’ll have to ask Dad if this is a typical neighborhood (we didn’t grow up here, so it’s still pretty new to me). When I overlook the color issue, though, I’m amazed by the vitality of the integration between small shops, services, and homes. There is an amazing variety of freshly-prepared food that’s available from a seeming infinite supply of vendors, block after block, and they all seem busy with the daily routine of living. The emphasis of design, uniqueness, and stylistic expression that we have in nominal amounts in the USA is almost completely absent in this part of the island, drowned out by the visual noise of the utilitarian concrete and tiled buildings. All the building here seem to be covered with bathroom tiles, BTW. Every house, however, seems to have a kind of luxury goods shrine where the collection of finer things resides: bottles of expensive liquor, for example. Luxury brand names are well-known here when it comes to buying gifts and showing wealth. When it comes to everyday things, though, brand seems to be less important, but I may be jumping to a premature conclusion.

    There are other things. Bath towels here are not as absorbent, perhaps because they contain more synthetic content. Toilet paper is thinner and tends to come in square packages like napkins in the US. Scooters are everywhere, ridden by people of all ages and physical prowess without fear of death as a practical mode of transportation. Appliances are lightly-built and scaled-down compared to what we have in the States. And yet it is all familiar and alive. I think back of our malls and office buildings in suburban America, and it all seems so rigid now. However, there is one import into Taiwan that I’ve never seen before: massive displays of graffiti and other signs of tagging. I don’t ever recall public displays of anarchy before, probably because the former military government’s imposition of martial law would have come down harshly on the perpetrators. A more permeable Taiwanese society is apparently allowing world underground culture to seep in.

    Tomorrow we’ll be taking the car to Tainan, where we’ll meet up with the rest of our relatives in preparation for tomorrow’s memorial service. For now, I’m going to try to catch some more sleep.

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    DSri Seah
  • On the Road to Taiwan

    April 28, 2009

    After months of suspending my blogging activity for a year-long project, I’m somewhat at a loss at what to do next. I can think of plenty of things to do, mind you—getting back to work on the various productivity forms updates, for example—but I want to make sure that I’m doing the right things that will point me in a satisfying work-life direction. And so, I find myself at a crossroads. I could continue to pursue interesting interactive design work based on the last gig. I could also define a new type of design boutique based around storytelling, a theme that I’ve been pursuing for the past several years but haven’t yet defined in a market-friendly manner. I also want to figure out how to work as a writer, traveling around and meeting interesting people as a kind of wandering design minstrel, regaling a select audience of people with ballads about people overcoming obstacles through the pursuit of their secret dreams.

    As I write this, I realize that it’s largely a matter of just starting somewhere and putting together some website material that explains what I’m doing in a cogent manner, taking care to highlight obvious points where I can add to the endeavors of future colleagues. But before that can happen, I will be visiting Taiwan to attend my grandmother’s memorial service. I have mixed feelings about this trip because Taiwan has been a place where I have never felt comfortable because of language and cultural barriers. However, I’m optimistic that this trip will provide insight into family and purpose while allowing me to re-engage some of those old ghosts. This trip also gives me an opportunity to test my mobile office configuration, currently consisting of my MacBook Pro, Skype, some Lamy fountain pens, a Cachet 9×12″ spiral bound notebook, and plenty of camera gear.

    Right now I’m at Gate 123 of the Tom Bradley International Terminal at LAX, waiting to board a 14 hour flight to Taipei, where we’ll be met by one of my uncles to take the high speed rail to Taichung, where Dad will meet my sister and I. It’s been 9 years since I’ve been back to Taiwan, and I’m at that age (40+) where I’m expected to have made something of myself either by career achievement OR by having successfully reproduced. Measuring myself on that scale, my de-facto age is probably more like 28 :-)

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    DSri Seah
  • Behind the Scenes at the Illinois Holocaust Museum & Education Center

    April 17, 2009

    Take a Stand It’s Media Sneak Peek Day at the Illinois Holocaust Museum and Education Center (IHMEC), an international world-class Holocaust museum located near Chicago in the suburb of Skokie. I’ve been part of the interactive development team with my buddies at Inquirium, a creative applications and learning sciences design company, for the past two years. Today is the first public look at the work we’ve done on Take A Stand, an open-play interactive environment that looks something like this:

    Take a Stand I wrote about Take A Stand (TAS) when we were first defining our technology approach nearly two years ago. It’s part of Youth Education Space The Miller Family Youth Exhibition, which is targeted at children ages 8-11. The overall youth space was designed to present some of the universal lessons imparted to us by Holocaust survivors; what was most important to them was that people learned that what you do now makes a difference. The YES space has multiple signs and interactive touch-screen kiosks that delivers this message. Our piece of it consists of a room that combines a motion-tracking system with a high-end PC running our custom software on a giant screen. The design of the system incorporates the lessons of the survivors with learning theory and open game play design; rather than spoon-feed morality, we’ve created a multi-player environment where kids can choose to mind their own business, help others, or be a bully. The interactive itself, compelling in its large-scale presentation and purposeful similarity to video games that children are already playing (the engine uses technology designed for XBox 360 indy developers), is designed to allow exploration that leads to reflection about what choices were made during play. Were you a bully? Did you just stand by and let things happen? The entire interactive experience, consisting of 3 minutes of play per cycle, is guided by docents (volunteer museum facilitators) who debrief groups of kids as they go through the game. It’s our hope that by providing this kind of guided observation, kids will make the connection between what they choose to do and their developing character.

    We learned quite a bit about Microsoft’s XNA 2.0 Framework, which we chose for its relative maturity and availability of sample code. The XNA development environment is based on C#, which itself is based on the mature .NET framework. The choice of .NET was particularly important to us for rapid workflow while ensuring that we could keep a lid on the traditional problems with application development: memory management, stability, and ease of debugging. Although using C# and .NET meant that we were paying a penalty in performance, we estimated the loss to be about 10% over the more traditional C++ approach; we figured the peace of mind that we got from using C# was more than worth the slight decrease in speed. We also compensated by using the fastest video game PC we could spec; for an installation like this, we control the hardware platform so we don’t have to worry about writing software to work on a wide variety of machines. As a result, we’re hitting a solid 60FPS in our interactive, which is just awesome.

    I’ll be writing more about the design process as I have time. We’ve got a few more exhibit tweaks to make before the gala opening on April 19, which will be featuring former president Bill Clinton and Elie Wiesel as speakers. We’ll be manning the Inquirium exhibit well into the night. It’s been a real pleasure and honor to be a part of the behind-the-scenes development for this museum, for projects that people really believe in. I must admit, though, that I’m looking forward to taking a rest after this is all over :-)

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    DSri Seah
  • Groundhog Day Resolution Review Day 4/4/2009

    April 4, 2009

    The past month has been devoted toward getting our interactive project polished for the opening of the Illinois Holocaust Museum & Education Center. We’ll be doing final tweaks to the interaction and presentation for the remainder of this week, and then we’re done. Done! After that, I can start to think about what comes next for me.

    I couldn’t remember what my actual Groundhog Day Resolution (GHDR) was, and it turns out that I didn’t really define it succinctly this year. The GHDR-related posts of this year have been pained attempts to maintain some semblence of momentum in the face of another project that consumed the bulk of my mental energy. Today, I’m content to just say that I want to write about what catches my eye and create that which illuminates, and through these activities establish financial independence by selling products that tickle my fancy. This may not be the fast track to wealth, but it’s the way I would like to do it.

    I took some significant steps last month by hiring a personal assistant to handle some of the groundwork in finding a local printer and establishing an Amazon fulfillment account so I can do another run of Emergent Task Planner Pads to have them available all the time, and from there expand into other types of pre-printed products. My reasoning is that with a persistent, easy-to-fulfill presence on the Internet, I’ll be able to create a small marketplace for useful forms and productivity planning products. The whole idea tickles me, like having a lemonade stand on the Internet.

    Another component of the plan is to make myself available to more people, because this is ultimately what leads to satisfying project work. As interesting as the museum project was, our team was spread between two coasts and the lack of face-to-face time almost killed me. I hadn’t realized this was such an important aspect of my working life, but apparently it is more critical to me than ever before. Therefore, I’ll be actively seeking collaborators and co-schemers in the Southern New Hampshire / Greater Boston Area to see what kind of daily face-to-face time I can guarantee in my workday. This means that I’m going to be building the organization itself and actively nurturing its culture around familiar themes:

    • surround myself with positive-minded, self-empowered, conscientious and kind people who are obsessive about excellence.
    • make and show what we mean

    As I move into May, my time for new projects will start to open up, and I’ll be taking on new work. I’ve already gotten a couple of nibbles for interesting projects, but I need to ensure that I am not starving my ultimate goals.

    For now, however, I’m completely soaked in finishing up the current project. After that, I need to re-enter the world that I’ve shut myself out of for the past six months: blogging, social media, collaboration, and discovering sources of personal inspiration. There are dozens of people to email and chat with with hundreds of threads to follow. Simultaneously, I’ll make an attempt to rebrand strongly around my core values and funnest competencies; I feel it’s gotten way too serious around here lately. I’m thinking there needs to be more pictures of cats, sandwiches, and odd objects found in between the machinery of culture.

    Yeah.

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    DSri Seah